သည္ဘက္ကမ္းမွ လြမ္းကိႏၷရီ

သည္ဘက္ကမ္းမွ လြမ္းကိႏၷရီ

ျမေႏွာင္းညဳိ

Pining Keinnari on this bank

Translated by Alfred Balwin

        CHAPTER I

At the right side of the sliding door of the uppermost apartment at the highest right corner of a four-storied duplex, a name plate reading Kyway Shin Thant, No. 16 is embedded in the wall. The window at the right side of the door, screened by the square mesh let see through a light green curtain of lace into the room.

A man wearing Ray ban sun glasses and a black T shirt stood by the window and stared into the sitting room.

The settee was not complete anymore but had only a double sitting chair apart from the table. Two folding chairs with faded polish stood here and there at the mid of the sitting room. Two dark green plastic stools were near the table. The faded green colored telephone on the table looked as though unwilling to enhance the dignity of the table.

On that settee, a young woman was sitting with the left knee on the seat and her right leg stretched out not quite touching on the floor.

သူ ့အိုးနဲ ့ဆန္ တန္ရံုသင့္ပါမွ

သူ ့အိုးနဲ ့ဆန္ တန္ရံုသင့္ပါမွ  

ျမေႏွာင္းညိဳ

ဘုရားတရား အလုပ္လုပ္မည္ၾကံလွ်င္ အဖ်က္၀င္တတ္သည္ဟု ဆင္ျခင္ မိေနသည္။တရားရိပ္မွာ ေပ်ာ္ေမြ႕ဖို႔ ထင္သေလာက္ မလြယ္ကူပါလား။

ဘုရားခန္းအ၀တြင္ ငုတ္တုတ္ထိုင္ကာ သက္ကို မ်က္စိေအာက္မွ အေပ်ာက္မခံ၀ံ့ေအာင္ ေခ်ာက္ခ်ားေနရွာေသာ တူကေလးကို လွမ္းၾကည့္ရင္း က႐ုဏာသက္မိသည္။ သူ႔ခမ်ာ ကေလးသာသာ ဆယ္ေက်ာ္သက္ ကေလး မွ်သာျဖစ္သည္ဟု မဆင္ျခင္တတ္လိုက္ေသာ သက္ကုိ သက္သာ အျပစ္ တင္ခ်င္သည္။ ေကာင္းကို ခြင့္မျပဳခဲ့လွ်င္ အေကာင္းသားဟု ေနာင္တရခ်င္ သည္။ကေလး စိတ္ဖိစီးမႈ ဘယ္အထိ ျပင္းထန္ေနမွာလဲ။